Stumbling on an old blog that’s been untouched for years feels like finding an abandoned house. It’s haunting, even intimate. Every room still carries the voice of someone who once lived there. But now they’re gone, and you don’t know why.
Maybe they just moved on. Maybe they got busy with a new job, became a parent, or simply fell out of love with writing. Maybe their life changed so drastically they didn’t feel like that version of themselves existed anymore. Or maybe they found peace in not sharing so much of themselves online.
And then the darker thought creeps in: are they even still alive?
Reading those old posts can feel like picking up a conversation with someone who doesn’t know you’re listening—and never will. That ambiguity, that lack of closure, makes it strangely emotional. You’re left wondering if one day, you might become that ghost blogger too.
I came across an old blog while researching heritage towns in Southern Luzon, including Sariaya, Quezon. It was written by a father who chronicled weekend trips with his wife and their young son. His entries were simple and warm: a photo by the sea, the boy’s endless questions during a long bus ride, an appreciation for old houses along the way, and so on.
But then, the posts stopped.
All of the dad’s posts were dated 2014, the same year I started this blog. In a way, it feels like a handoff. Where his voice was starting to fade, mine was just finding its space in the online world. That overlap is on my mind as I myself make my way one morning to Sariaya.
Heritage Houses of Sariaya: Stories from the Past
Sariaya, a town that sits between Mt. Banahaw and Tayabas Bay, is partly an agricultural hub, and partly a seaside retreat. Cars, buses, jeepneys, and tricycles zoom through the main thoroughfares, but just a few turns away, the pace slows enough for me to notice that, here, the past is something you walk through every day. Strolling along the town center’s streets, I feel caught between eras, like walking through a living museum of early 20th-century provincial life.
That sense of time standing still is clearest in Sariaya’s heritage houses. These structures are stately mansions built by coconut barons and wealthy families during the American colonial era, their Art Deco façades and wide capiz windows recalling a time when elegance and industry intertwined.
I rest for a bit at the town plaza, where across the street, the church keeps an eye on the square. Students on the brink of the upcoming sem break are strolling around while vendors are hanging out in the shade. I’m trying to look for a good spot to take a picture of the fountain when a man I’m guessing is from the tourism office based on his uniform tells me where to get the best angle. “Take the shot from here,” he tells me, pointing to a spot near the marker. “You can get the marker, the fountain, and the municipal hall, all in one frame.”
After a few shots, I walk a bit from the park. I can see the old houses on the street over. Right now, we’re separated by both a few meters and dozens of years.
At one corner of town rises the Gov. Natalio Enriquez Heritage Mansion, perhaps Sariaya’s most famous landmark. Its sweeping staircase, intricate grillwork, and Art Deco motifs feel frozen in a decade when modernity was just beginning to flirt with provincial gentility. Despite the elegant appearance, it looks forlorn with its decay and an overgrown garden that seems to be taking over. It’s a bit of a haunting sight, which makes me wonder if keeping heritage alive is something everyone can actually manage.
Across the street are the twin houses of Dr. Simeon Rodriguez and Doña Margarita Rodriguez, facing the street like old relatives keeping watch. Down another road, the Don Lucio Rodriguez House and Religioso-De Villa Heritage House continue that lineage, where different families carry the same devotion to craftsmanship that outlived its builders.
The houses resemble pages torn from the same tale of wealth drawn from coconut plantations, of American-era ambition tempered by Filipino grace. But walking through them now gives a sense of something more fragile. That these walls survive not just through historical importance but through the endurance of those who refuse to let memory rot.
Many of Sariaya’s ancestral homes stand empty now with their owners scattered across generations and geographies. Some descendants left for Manila or overseas, chasing futures their forebears could never have imagined. Others simply grew distant from the idea of “home” their grandparents built. The cost of repairing capiz shells, repainting wood, and mending ironwork just to keep the house alive has become too heavy for sentiment alone to bear. And so these houses stand suspended between what was and what is: too sacred to demolish, yet too fragile to restore.
The sun is already high when I leave Sariaya. The town slips quietly past the bus window, its old houses watching like sentinels of a simpler time.
As I make my way back home, I think of that father’s blog again. I check it with my phone’s web browser. It’s still there, perhaps waiting for someone to stumble upon it, like those ancestral homes waiting for visitors who still care.
And that eventually leads me to my own blog. This blog feels alive because I’m alive and I still keep tending to it, pruning old entries and adding new ones. Basically I’m just keeping the lights on.
But what happens when I’m gone or at least decide to stop writing? No one else has the password, and the domain will eventually expire. One day, WordPress might erase everything, like Google did to the forgotten Blogspot pages of my youth. All that would remain are the echoes in some cached corner of the internet, or in the memory of someone who once happened to read.
Maybe one day this post will vanish too. Maybe it will be deleted, maybe archived, maybe just forgotten. But for now, it’s alive, because I am. I’m writing while I still can.
Writing and preserving heritage feel similar in that they keep something alive by remembering it, hoping that when someone stumbles upon it years from now, they’ll still find a trace of what once was.
And isn’t that what remembrance is about? It is itself an act of care. Whether for the departed, an old house, or a forgotten blog, memory becomes a form of keeping vigil so that even when everything else fades, something of it still remains.
Sariaya Travel Basics
Access
- The most convenient route is via Lucena-bound buses such as JAC Liner, DLTB, JAM, or Lucena Lines, which all pass through the town. A typical one-way bus fare from Manila (Cubao/Kamias/Buendia) to Sariaya is around PHP 210 – 260. Travel time takes around 3.5 to 4.5 hours, depending on traffic.
- Ask the conductor to drop you off at Sariaya town proper (near the plaza or church). From there, most of the heritage houses—including the Enriquez and Rodriguez mansions—are within walking distance.
- If you’re driving, take South Luzon Expressway (SLEX), exit at Sto. Tomas, then follow the Pan-Philippine Highway (AH26) through San Pablo and Tiaong until you reach Sariaya.
Admission
- Most heritage houses in Sariaya are privately owned, so access is often limited to viewing from the street. The Gala-Rodriguez Heritage House occasionally opens for guided tours PHP 100 – 150, though it’s best to check with the local tourism office beforehand.
Food
- Sariaya is more known for its heritage houses than its dining scene, and most travelers head to nearby Tayabas or Lucena for a wider range of cafés and restaurants. Nonetheless, there are still a few worthwhile stops here.
- If you’re looking for a meal that comes with a view, head a bit out of the town center to Café Kalayu, a hilltop spot known for its panoramic look over Sariaya and Mt. Banahaw. The café serves Filipino comfort dishes and coffee best enjoyed during late afternoons, when the light softens and the mountain turns blue in the distance. It’s about a 20-minute drive or tricycle ride from the town center.
- Just nearby is Kape Rosa Kina Amamang Juan, a more rustic alternative where you can pair your brew with homemade snacks. It feels like visiting a countryside home more than a café, with its quiet, unfussy, and warm vibe.
- If you’d rather stay close to the heritage district, Buddy’s near the town plaza is a local institution for its Pancit Lucban and longganisa.
- There are also a few fast-food chains around the plaza if you prefer something quick before catching the bus or continuing to nearby Tayabas or Lucena.
For travelers planning to explore Sariaya’s heritage houses or join local tours, the Sariaya Tourism Culture and the Arts Office can provide updated information and schedules.

